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jordanpalmerwiens last won the day on February 14

jordanpalmerwiens had the most liked content!

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About jordanpalmerwiens

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  • Birthday 04/19/1992

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    Ottawa, ON

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  1. SP Montage - Interested?

    I'm sure we'll have to split it up into SD and HD sections since it seems there are equal parts in the HD and VX filmers now.
  2. SP Montage - Interested?

    super down! maybe fall release? dont have any unused footage since in canada it does this white bullshit thing once a year
  3. VX1k - MK1 vignetting aligment

    show us a screen shot. personally i like when the vig is biggest in the top left. there isn’t anything you can do about it tho
  4. Vx1000 60fps

    No just stick with the classic 4:3 ratio. i know the math gives you 654.552 but just use 640x480, 960x720 or 1440x1080.
  5. Vx1000 60fps

    Youre probably thinking of 720x480 instead of 640x480. This is what the camera records before it is squeezed by the pixel aspect ratio (D1/DV NTSC 0.9091) then you would make your timeline 1080x720 or 1620x1080. I still like the 4:3 ratio better but whatever floats your boat.
  6. How To 4:3 Hd?

    just found an instagram post confirming it was "red epic w/ canon 8-15mm fisheye" but the Wet Dream video def was.
  7. How To 4:3 Hd?

    http://www.kenrockwell.com/nikon/8mm.htm Im thinking its this one! i think they used the same one in that terrible video "Wet Dream" by Girl
  8. How To 4:3 Hd?

    the rb umali one is but i think the vx4000 one used this super rare and huge nikon fisheye that has sharp vig
  9. Color Correction and Grading R3D

    those seem to have a subdued 'orange & teal' look. maybe you can find a LUT that does that and go from there.
  10. Post your username changes

    jordanpalmerwiens please!
  11. Color Correction and Grading R3D

    Easiest bet would be to find a LUT to match that kind of look. I personally use FilmConvert but there's tons of good LUTs out there for RED cameras. I use FilmConvert in tandem with Lumetri Colour in Premiere to colour correct/tone and fix contrast. If you put the LUT in an adjustment layer you can control the opacity of the layer if its too strong. https://www.premiumbeat.com/blog/29-free-luts-for-video/ If youre going to use any of those luts, just make sure to out a RED to REC709 LUT first, then the look LUT over top.
  12. How To 4:3 Hd?

    RB Umali did a similar thing with the GH5 and anamorphic mode. Def a more affordable way to do it than RED but still expensive. He used a Canon 8-15mm but im sure you could do tests with other fisheyes/speedbooster to find a cheaper match.
  13. NETJIOT: the next generation

    http://www.instagram.com/dankmemebucket/ make me internet famous
  14. BMPCC?

    Its not the sharpness, its the distortion and wideness. the lens baby has a weird bubbly distortion that just isn't attractive.
  15. BMPCC?

    If you got the newer BMMCC https://www.bhphotovideo.com/c/product/1137292-REG/blackmagic_design_cinecammichdmft_micro_cinema_camera.html it has 1080p 60fps and you could buy the SmallHD Focus Canon Kit https://www.bhphotovideo.com/c/product/1338113-REG/smallhd_mon_focus_lpe6_kit_kit_includes_focus.html and have an awesome outdoor monitor and ability to power the camera with sony batteries. The Lensbaby fisheye isn't actually that wide and the distortion is pretty shitty. Ultimate lens would obviously be the Canon 8-15mm with the Speedbooster https://www.bhphotovideo.com/c/product/1174582-REG/metabones_mb_spef_bmpcc_bt1_metabones_canon_ef_lens.html but the Rokinon/Bower/Samyang fisheye would be a cheaper option. This video is with the speed booster and Peleng 8mm fisheye. The flare aren't that bad at lower apertures (like f/16) and i think the newer ones have better coatings.